Article written by Lauredhel

Lauredhel is an Australian woman and mother with a disability. She blogs about social justice, reproductive justice, freedom from violence, the use and misuse of language, medical science, being disabled, her garden, and whatever else pops into her head.

Lauredhel also blogs at FWD/Forward (feminists with disabilities), scribbles at her personal dreamwidth journal Selective and Arbitrary, and co-moderates Hollaback Australia. She joined Hoyden About Town in 2007.

2 responses to “Gender-switching fiction: Viola’s Bookshelf”

  1. tigtog

    What a fascinating project. Excellent stuff.

  2. tigtog

    Following some links, I found this via a comments thread on a post about Viola’s Bookshelf:

    This concept of a flexible identity was something I wanted to explore in a play. DNA was originally written for the National Theatre’s Connections project, which pairs young actors with new writing. It was to be performed by more than 40 different youth groups across the country, and when I wrote it, I stipulated that all the characters’ genders and names could be changed according to the groups’ needs. John could become Jane, or Leah could become Lee. I reasoned that there isn’t the huge gap between men and women that we like to think there is. We are different, yes, but our similarities far outweigh our differences. One quite angry youth leader took me to task over this, insisting that girls and boys were practically different species, and this could never work. But the interesting thing was that, with all the different cast configurations I went on to see, I forgot the original sex of the character I’d written within 10 minutes.

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