Culture

The milieu through which we swim

Weekend Flashback: first Swords and Sandals edition

I feel like I jinxed this last week with my bragging of weather warm enough to wear sandals in the first week of spring. Tonight it is blowing a gale and downpouring buckets of rain. My palm tree shed its dry fronds all over the street two days ago – I guess it’s one way to meet a new neighbour as he helps get them off the roadway.
Ben Hur races Messala
Anyway, to inaugurate the sandals season, it has to be the one by which all others are measured: are they bigger than this?

What a week: Irwin, Thiele and now Brock.

I just heard on the radio that Peter Brock has been killed in a racing crash.

All the boys I went to a country town high school with drove V8s, and all of them looked up to Brockie. He stood above the perennial Ford-Holden wars in terms of his racing hero status, partly because of his cool, calm demeanour – Brock was the Bjorn Borg of Australian motor racing

Why oh why do people want to pry?

That is the moan of TomKat in Vanity Fair about the prurient curiosity regarding their baby. As the NYT points out, when you announce your romance on TV by jumping on Oprah’s couch, announce your engagement at a press conference, and pose tits-and-teeth-out endlessly on red carpets before the pregnancy became inelegant, the public becomes conditioned to a photo-opportunity parade through your lives and

tigtogmob at the Opera House

‘cos the tigling was having her debut performance there – as a member of the Sydney Region Combined Schools Chorus.

It was a fabulous showcase of public music education and the talented youngsters in our schools. Of special note were a 10 year old classical pianist and a 15 year old jazz trumpeter, both of whom probably have glittering careers awaiting them.

She was so excited and

Weekend flashback: chainmail chicks and boots galore

This movie didn’t do very well. Partly because this movie poster promised a lot more Conan/Arnie than was there (so the word of mouth was ‘what a ripoff’) and partly because they didn’t give Brigitte Nielsen exactly the costume the fans were expecting, which was more along the lines of this eminently practical warrior garb – the chainmail bikini:

A source of minor joy

is just discovering that the Ermine Street Guard exists. It’s so peculiarly British to take one’s weird hobby involving dressing up in strange outfits so seriously that one’s group ends up as a respected resource for academics pursuing a proper understanding of Roman military engineering and craftsmanship.

Even if they probably wouldn’t let me play with the onager

Onager

He didn’t like it, no sirree

Peter MacCallum titles his review “A cruelty that extends to all within earshot” and opens with

First I need to be honest and say that I found Peter Goldsworthy and Richard Mills’s Batavia the vilest thing I have experienced in the theatre.
It’s an appallingly studied invectival tirade masquerading as a brutal-but-fair assessment. One is forced to wonder whether Messrs Goldsworthy and Mills ever tied MacCallum down and popped a ferret in his trousers, such is his spite.

The libretto of Batavia tells a tale of violence and brutal despair that is possibly unmatched even in the world of opera, but is that any excuse to cynically coopt the language of violence in order to produce hyperbole such as this?