Would Frank Herbert’s Dune have been such a wide success if its publication in 1965 had not been preceded by David Lean’s masterful cinematography of windswept dunes in 1962’s Lawrence of Arabia?
How, more generally, does our experience of pictorial representations of landscapes and people (both still and moving pictures) influence our perceptions of other works of art, of the world and people around us, and even of our own self-awareness?